May 1, 2019
Topics: Black Hair/Jheri Curls, Luther Vandross, Ragtime (Film) - Howard Rollins Jr., Nell Carter (Tv). (Bonus Artist: Luck Pacheco)
1981 Notes
1. Snapshots
2. Ronald Reagan is
President
3. Jan - Ronald Reagan is sworn in as
the 40th President of the United States. Minutes later, Iran
releases the 52 Americans held for 444 days, ending the Iran
hostage crisis.
4. Mar - U.S. President Ronald Reagan
is shot in the chest outside a Washington, D.C. hotel by John
Hinckley, Jr. Two police officers and Press Secretary James Brady
are also wounded.
5. Jun - The Centers for Disease
Control and Prevention report that five homosexual men in Los
Angeles, California, have a rare form of pneumonia seen only in
patients with weakened immune systems (the first recognized cases
of AIDS).
6. Jul - President Ronald Reagan
nominates the first woman, Sandra Day O'Connor, to the Supreme
Court of the United States.
7. Aug - MTV (Music Television) is
launched on cable television in the United States.
8. Aug - The IBM Personal Computer,
commonly known as the IBM PC, is introduced.
9. Nov - Luke and Laura marry on the
U.S. soap opera General Hospital; it is the highest-rated hour in
daytime television history.
10. Dec - The first American test-tube
baby, Elizabeth Jordan Carr, is born in Norfolk,
Virginia.
11. Open Comments:
12. Popular Music Scene
13. Top 3 Singles
14. 1 - "Bette Davis Eyes", Kim
Carnes
15. 2 - "Endless Love", Diana Ross & Lionel
Richie
16. 3 - "Lady", Kenny Rogers
17. Record of the Year: "Bette Davis Eyes"
performed by Kim Carnes
18. Album of the Year: John Lennon & Yoko
Ono, Double Fantasy
19. Song of the Year: "Bette Davis Eyes"
performed by Kim Carnes
20. Best New Artist: Sheena
Easton
21. Open Comments:
22. Popular Movies
23. Top 3 Grossing Movies
24. 1 - Raiders of the Lost Ark
25. 2 - On Golden Pond
26. 3 - Superman II
27. Open Comments:
28. Popular TV
29. Top 3 Rated Shows
30. 1 - Dallas
31. 2 - 60 Minutes
32. 3 - The Jeffersons
33. Open Comments:
34. Black Snapshots
35. Feb - Funky 4 + 1 perform "That's the
Joint" on NBC's Saturday Night Live. This makes them the first hip
hop act to perform on national television.
36. Mar - Toni Morrison gave her next
novel, Tar Baby (1981), a contemporary setting. In it, a
looks-obsessed fashion model, Jadine, falls in love with Son, a
penniless drifter who feels at ease with being black.
37. Jun - Wayne Williams, a 23-year-old
African American, is arrested and charged with the murders of two
other African Americans. He is later accused of 28 others, in the
Atlanta child murders.
38. Aug - Bryant Gumbel: The candidates
auditioned for Brokaw's job throughout the summer of 1981 when he
was on vacation. Gumbel became a candidate for the job just by
chance when he served as a last-minute substitute for Today
co-anchor Jane Pauley in August 1981.
39. Oct - Gimme a Break! is an American
sitcom that aired on NBC for six seasons from October 29, 1981
until May 12, 1987. The series starred Nell Carter as the
housekeeper for a widowed police chief (Dolph Sweet) and his three
daughters.
40. Sep - Isabel Sanford - For her role on
The Jeffersons as "Weezy", she won a Primetime Emmy Award for
Outstanding Lead Actress in a Comedy Series in 1981, making her the
first African American actress to win in that category.
41. Best R&B Vocal Performance, Female:
Aretha Franklin for "Hold On I'm Comin'"
42. Best R&B Vocal Performance, Male:
James Ingram for "One Hundred Ways"
43. Best R&B Performance by a Duo or
Group with Vocal: Quincy Jones for The Dude
44. Best R&B Instrumental Performance:
David Sanborn for "All I Need Is You"
45. Best Rhythm & Blues Song: "Just the Two
of Us" performed by Grover Washington, Jr. & Bill Withers
46. Open Comments:
47. Economic Snapshot
48. New House: 78k
49. Avg. income: 21k
50. New car: 8k
51. Avg rent: 315
52. Postage Stamp: 18c
53. Movie ticket: 2.25
54. Open Comments:
55. Social Scene: The Jheri Curl
56. Brief History of Black Hair
57. For centuries black communities around
the world have created hairstyles that are uniquely their own.
These hairstyles span all the way back to the ancient world and
continue to weave their way through the social, political and
cultural conversations surrounding black identity today.
58. Ancient Origins: Headdresses and wigs
symbolized one’s rank and were essential to royal and wealthy
Egyptians, male and female alike.
59. Twisted Locks: Dreadlocks have often
been perceived as a hairstyle associated with 20th century Jamaican
and Rastafarian culture, but according to Dr. Bert Ashe’s book,
Twisted: My Dreadlock Chronicles, one of the earliest known
recordings of the style has been found in the Hindu Vedic
scriptures and worn about 2,500 years ago.
60. Intricate Braids: Braids were used to
signify marital status, age, religion, wealth, and rank within
several West African communities.
61. Bantu/Nubian Knots: Bantu universally
translates to “people” among many African languages and is used to
categorize over 400 ethnic groups in Africa.
62. Cornrows: Africans wore these tight
braids laid along the scalp as a representation of agriculture,
order and a civilized way of life. These types of braids have
served many purposes, from an everyday convenience to a more
elaborate adornment meant for special occasions. In the age of
colonialism, slaves wore cornrows not only as an homage to where
they had come from, but also a practical way to wear one’s hair
during long labored hours.
63. Madam CJ Walker and The Quest for
Straight Hair: Even after Emancipation, there was a growing notion
that European textured hair was “good” and African textured hair
was “bad,” foreign and unprofessional. Wigs and chemical treatments
became the means to achieve smoother, straighter hair. Cornrows
were still popular, but this time only as the base for sew-ins and
extensions, not something thought of as for public display. In the
early 1900s, Annie Malone and Madam C.J. Walker started to develop
products that targeted this want for straighter
hair.
64. Dreadlocks: In the 1920s, Jamaica born
Marcus Garvey began a black nationalist movement in America to
spread his belief that all black people should return to their
rightful homeland of Africa. Although many associate dreadlocks
like Bob Marley’s with what became known as the Rastafari movement,
the Ethiopian emperor, who the movement was named for, was better
known for his facial hair than the hair on his head. Early Rastas
were reluctant to cut their hair due to the Nazarite vow in the
Bible. Tensions started to build regarding debates on whether to
comb these locs. In the 1950s, a faction within the Rastafari
movement, the Youth Black Faith, rebelled against any visual signs
of conformity, and split into the “House of Dreadlocks” and “House
of Combsomes.”
65. Afro: With the Civil Rights Movement of
the 1960s and ‘70s, came the rise of the natural hair movement that
encouraged black communities to accept their hair and turn away
from damaging products. The notion of conforming to European
standards did not fit with their message of black power.
66. Jheri Curl (Thanks Michael
Jackson): The Jheri curl provided a glossy curly style that
became uniquely iconic in its time. The name comes from its
inventor, Jheri Redding, a white man from an Illinois farm who
turned into one of the 20th century’s leading hair chemists. In the
1970s, Jheri Redding Products created a two-step chemical process
that first softened the hair, then sprang it up into curls.
However, Comer Cottrell is the man responsible for taking this
product to the masses. In 1970, Cottrell and two partners started
mixing hair care products by hand for their new L.A. company,
Pro-Line Corporation. By 1980 they were able to create a product
that replicated the look of the Jheri curl for much cheaper. The
Curly Kit cut out the need to book an expensive salon appointment
and in 1981, Forbes magazine called it “the biggest single product
ever to hit the black cosmetic market.” In their first year of
business, the $8 kits took in over $10 million in sales.
67. Audio Clips
68. Shape-Ups and Fade: (Thanks Michael
Jackson) The 1980s ushered in the birth of Hip Hop, which had a
huge cultural influence on style. Black barber shops around the
U.S. had perfected the fade but the ‘80s allowed them to blossom
with more forms of creativity and expressionism. Afros were shaped
up with the sides cut short for a hi-top fade, and cornrows were
braided in with flairs of individuality. Icons like Grace Jones
sported inspired looks on their album covers, and by the 1990s the
fade was being beamed into television sets across the U.S., via
Will Smith in The Fresh Prince of Bel Air. [Source: https://www.history.com/news/black-hairstyles-visual-history-in-photos]
69. Open Comments:
70. Question: What is your "back in the
day" hair horror story?
71. Music Scene
72. Black Songs from the Top
40
73. #2 - "Endless Love", Diana Ross &
Lionel Richie
74. #6 - "Celebration", Kool & the
Gang
75. #7 - "Kiss on My List", Hall &
Oates
76. #13 - "Being with You", Smokey
Robinson
77. #18 - "Just the Two of Us", Grover
Washington, Jr. & Bill Withers
78. #19 - "Slow Hand", The Pointer
Sisters
79. #22 - "Sukiyaki", A Taste of
Honey
80. #39 - "Lady (You Bring Me Up)",
Commodores
81. #45 - "How 'Bout Us",
Champaign
82. Vote:
83. Top R&B Albums
84. Jan - Hotter Than July, Stevie
Wonder
85. Feb - The Gap Band III, The Gap
Band
86. Mar - The Two Of Us, Yarbrough &
Peoples
87. Apr - Being With You, Smokey
Robinson
88. May - A Woman Needs Love, Ray Parker
Jr. & Raydio
89. Jun - Street Songs, Rick
James
90. Oct - Breakin' Away, Jarreau
91. Nov - The Many Facets Of Roger,
Roger
92. Nov - Never Too Much, Luther
Vandross
93. Nov - Something Special, Kool & The
Gang
94. Nov - Raise, Earth, Wind &
Fire
95. Vote:
96. Key Artists: Luther Vandross, "The
Velvet Voice"
97. Luther Ronzoni Vandross Jr. (@ 30 yrs.
old), was born and raised in NYC. He was a singer, songwriter and
record producer. - "For many years, Luther Vandross was the vintage
Cadillac among the banged-up jalopies in the used car lot of male
pop singers.
98. With a sound that echoed the smooth
soul stylings of the 1960s, Vandross was a fixture on the rhythm
and blues charts from his solo recording debut in 1981 until his
tragic stroke in 2003. Over the course of his career he released a
string of platinum albums and established himself as one of the
leading romantic singers of his generation. Much of his appeal came
from his emotional approach to music, which he modeled after great
female vocalists such as his friends Aretha Franklin and Dionne
Warwick."
99. He Came from Musical Family: His
father, an upholsterer, died when Luther was eight years old, and
his mother, a nurse, supported the family (4 children) while living
in lower Manhattan housing project. His first piano lessons came at
the age of three and his sister was a member of a doo-wop group. By
13, Vandross was obsessed with the girl groups of the Motown label,
as well as the gospel-based soul sounds being produced by the likes
of Aretha Franklin and Cissy Houston. He liked to hang out in the
school hallways and sing doo-wop. In 1972 (@21 yrs. old) a song
written by Vandross, "Everybody Rejoice," was chosen for the
Broadway musical The Wiz. Although he received substantial
royalties for the composition, the money was not enough to support
him completely, and Vandross continued to work at a variety of "day
jobs".
100. Entered the Music Industry through the Back
Door: In 1974 (@23 yrs. old), Vandross received his first real
professional break. A childhood friend landed a job backing British
singer David Bowie, and he invited Vandross to accompany him to a
recording session during the making of Bowie's album Young
Americans. During the session, Bowie overheard Vandross mentioning
some background vocal arrangement suggestions to Alomar. Bowie
loved the ideas, and he immediately hired Vandross to sing and
arrange backup vocals for the album. He also recorded a
Vandross-penned song, "Fascination." When the album was finished,
Vandross joined the Bowie tour as a backup singer. Through Bowie,
Vandross made many important connections in the music industry,
laying the groundwork for his own budding career. Bowie introduced
Vandross was Bette Midler. She hired Vandross to sing backup vocals
on her next two albums. Vandross soon became much sought after.
Among the artists whose recordings his voice appeared on during the
next few years were Chaka Khan, Carly Simon, Ringo Starr, the
Average White Band, Barbra Streisand, and Donna Summer. He also
became one of Madison Avenue's favorite voices for commercial
jingles. During the late 1970s, Vandross's anonymous voice was used
to sell everything from fried chicken to long-distance telephone
service, not to mention as a recruiting tool for the U.S.
Army. Artistically, however, those jobs did not satisfy him,
and he continued to try to break out as a solo act. He formed or
joined several groups, with such names as Luther, Bionic Boogie,
and Change, but none proved commercially viable. He also sang the
lead vocal on Chic's song "Dance, Dance, Dance."
101. Hit the Big Time: Part of the problem in
landing a solo recording contract was Vandross's insistence on
total creative control of the recording process. Another problem
was the prevalence of disco, a musical form antithetical to
Vandross's lyrical approach. Finally, in 1980, Vandross used his
own money to rent a studio and began recording. He took the
resulting handful of songs to Epic Records, and he was immediately
given a contract. Epic released Vandross's first solo album, Never
Too Much, in 1981. The album sold more than one million copies
cracked the top ten on black pop charts, and effectively launched
Vandross's career as a solo superstar.
102. Audio Clip / Open comments:
103. Achievements: Grammy Awards, 1979, 1990,
1991 (2), 1996, 2003 (4); NAACP Image Awards, 1990, 2003.
104. Health and death: As Vandross's career
expanded, so did his waistline. At times his weight soared to well
over 300 pounds. Angered by the constant mention of his size in the
press, where he was tagged with such nicknames as the "heavyweight
of soul," Vandross shed 120 pounds, only to seesaw back and forth
between weight extremes for the next several years. In several
interviews, Vandross attributed the yo-yoing to his love life. When
things were going well, he lost weight; when he was heartsick, he
overcompensated with food. Sadly, in April of 2003 Vandross
suffered a debilitating stroke that left him temporarily in a coma;
the stroke was likely caused by a combination of his recent weight
gain and his ongoing struggle with diabetes. He never fully
recovered.
105. Vandross died on July 1, 2005, at the JFK
Medical Center in Edison, New Jersey, at the age of 54 of a heart
attack. [Source:https://www.encyclopedia.com/people/literature-and-arts/music-popular-and-jazz-biographies/luther-vandross]
106. Movie Scene: Ragtime
107. A 1981 drama, directed by Miloš Forman,
based on the 1975 historical novel Ragtime by E. L. Doctorow.
Starring: Howad E Rollins Jr, Moses Gunn, Debbie Allen, and Samuel
Jackson.
108. Review: "Profound as Coalhouse's story might
be, Ragtime is about far more. Set in early 1900s New York, at the
beginning of America's so-called Gilded Age, the movie is about the
radical and long-lasting changes, including the onset of the
industrial revolution, and increased importance of civil rights and
sexual equality issues. As in E.L. Doctorow's novel, the characters
in Forman's film each represent those changes, with Coalhouse just
one in a complex and compelling mix. [Source: Nikki Tranter - 28
Nov 2004 https://www.popmatters.com/ragtime-1981-dvd-2496253275.html]
109. Roger Ebert - “Ragtime” is a loving,
beautifully mounted, graceful film that creates its characters with
great clarity. We understand where everyone stands, and most of the
time we even know why. Forman surrounds them with some of the other
characters from the Doctorow novel (including Harry Houdini, Teddy
Roosevelt, and Norman Mailer as the architect Sanford White), but
in the film they're just atmosphere, window dressing. Forman's
decision to stick with the story of Coalhouse is vindicated,
because he tells it so well. [Source: https://www.rogerebert.com/reviews/ragtime-1981]
110. Audio Clips
111. Open Comments
112. The actor Howard E. Rollins Jnr made his
film debut in Milos Forman's Ragtime (1981) as Coalhouse Walker,
the cool, sophisticated ragtime pianist. who becomes head of a
group of black revolutionaries. Variety praised his "staggeringly
effective portrayal of conscience-wracked pride" and "intense
screen magnetism that bodes instant stardom". For a time, it looked
as if Rollins would become Sidney Poitier's successor. However, in
spite of unanimous praise from the critics, and an Oscar nomination
for Best Supporting Actor, Rollins made only one other film
appearance. This was A Soldier's Story (1984) ...Rollins gave
another memorable performance as the stylish, self-assured but
intense Captain Richard Davenport, one of the first black officers
in the US Army, who arrives in a racially segregated training camp
in wartime Louisiana to investigate the murder of a black sergeant.
But this time there was no Oscar recognition or any follow-up movie
roles. Years passed before Hollywood felt ready to promote a
serious black actor: Denzel Washington.
113. Question: Was he better than
Denzel?
114. Black Television: Gimme a Break!
[PLEASE!]
115. The series aired for 6 seasons and starred
Nell Carter as the housekeeper for a widowed police chief (Dolph
Sweet) and his three daughters.
116. Nell Ruth Hardy, (@ 33yrs old), born and
raised in Birmingham, AL was an award-winning singer, actress,
Broadway and television performer. She possessed a powerful, sultry
singing voice and had a very strong stage presence; she deftly
handled roles in drama, comedy, and musicals with equal
capability.
117. Carter was the fifth of nine children. When
she was a toddler, her father died of electrocution. At 15, she was
raped at gunpoint and gave birth to the child. That same year, four
of her friends died when a bomb planted by segregationists exploded
in a local church. Later, Carter would say she found solace in
listening to music, having a fondness for her mother's Dinah
Washington and B.B. King tunes as well as her brother's Elvis
Presley records. Carter developed her performance skills by singing
in church groups, on the gospel circuit, on a weekly radio program,
and coffeehouses. At age 19, she moved to New York City to study
acting at Bill Russell's School of Drama. There, she began to
appear at several nightclubs.
118. Carter's Broadway debut came in the 1971
musical Soon. (@23 yrs. old), – unknowns Richard Gere and Peter
Allen were in the cast. Carter also had a bit part in the film
Jesus Christ Superstar in 1973. She moved overseas and studied
drama in London before being cast in the 1978 Broadway production
of Ain’t Misbehavin' (@30 yrs. old), where it ran four years. She
would win a Tony Award for her performance in Ain't Misbehavin' and
won an Emmy Award in 1982 for the television version of the show.
In addition to her stage roles, Carter appeared in a handful of
television shows in the late 1970s and early 1980s, including the
soap opera Ryan's Hope in 1978 and 1979 and in the television
series The Mis-adventures of Sheriff Lobo in 1980. Sensing her
appeal, network executives offered her the lead role in the sitcom
Gimme A Break! in 1981.
119. Audio clip:
120. After Gimme a Break went off the air in
1987, Carter took various parts in films, on television shows, and
on stage. Even later in her career, Carter kept active with cabaret
performances and concerts.
121. Eating disorders, alcohol and drug
addiction, and other health concerns plagued Carter for years. In a
1994 interview, she admitted that she first tried cocaine the night
she won her Tony Award. In 1992, Carter had two brain surgeries to
fix an aneurysm. In 1997, Carter learned she had diabetes. Carter
was married in 1982 and divorced in 1992, then married again that
same year. She was divorced again in 1993. In 1989 and 1990, she
adopted two sons. Carter died on January 23, 2003, at the age of 54
due to natural causes likely caused by heart disease and
complications from diabetes. [Rumored: After her passing, friends
and family were surprised to discover that Carter had been living
as a closeted lesbian, and that custody of her children had been
left to her domestic partner, Ann Kaser.] [Main
Source: https://www.notablebiographies.com/newsmakers2/2004-A-Di/Carter-Nell.html#ixzz5kPhe5ORT]
122. Open Comments
123. Question: Was this just a show about a
modern Mammy?
124. Vote: Favorite Pop Culture thing for the
year?